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Present Continuous
March-August 1999 March 11, 1999 - September 11, 1999 Artists and Sample Art: Ideas concerning identity and the ways in which individuals relate to various communities that form American society, were allowed to become part of the artistic discussion during the early nineties in a series of ground-breaking exhibitions. Chief among these was the Whitney Museum Biennial of 1993 which became the symbolic touchstone of this particular approach. However, the dogmatic socio-cultural critique, at the heart of many installations and objects produced at the time, tended to undermine the artistic and formal structure of such art. The five artists included in PRESENT CONTINUOUS, are generally from immigrant and minority backgrounds, but they are not specifically concerned with establishing some sort of essentialized political or ethnic identity. They understand the shifting nature of those definitions--however they themselves may be individually defined. They do not dwell in some pointlessly romanticized or problematized past, but all acknowledge the political significance of events both past and present. The art in PRESENT CONTINUOUS works on many levels. Mainly, it inscribes the complexity of the hybrid American body, just as it is, into the shared experience of our international modernist story. |
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![]() Through Our Lenses:
Personal and Political Views of 18 Photographers February-April 2003 Unlocking Our Hearts, Minds and Souls October-December 2002 January-April 2002 April-September 2000 December 1999- March 2000 March-August 1999 December 1998-June 1999 December 1997-June 1998 June-October 1997 February-May 1997 Spirit and Memory December 1995-March 1996 June-August 1995 |
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