Factory: Reconsidered
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Lei-Sanne Doo, After Hurricane Bob
1992, 22" x 24"
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It's creative fun making things from what you have on hand; a lot like
making dinner from what you find in the refrigerator or cooking up a new
taste because you just had to use up those cranberries tucked way back
in the freezer. I recycle materials, gathering and assembling objects,
because I enjoy the challenge of an unknown path. Sometimes, an object
inspires the art. I like to play the shaman, the head chef, the soul gardener.
Someone who can make you pause over a sensual moment.
The baby clothes I use are from my children's first months of life
when everything was new and miraculous. My children now are way bigger
than these miniature garments. Yet whenever I look at those tiny pieces,
there it is-the magic of motherhood.
The branches are from my garden where natural forces are guided by
bigger creative hands. What stories can they tell?
"Mango Hook" is my version of the long pole my family used
to pick mangoes in Hawaii. We had banana trees, papaya trees, a breadfruit
tree, tangerine and lime trees, a lung-an tree, and two mango trees
in our garden in Honolulu. The mango trees were the tallest ones. I
loved mango season when my chore was to climb onto our rooftop and pick
the ripe fruit with our mango hook. Every family had their own mango
hook. It was fashioned out of a length of strong bamboo. On the end,
a cloth sack made from an old rice bag was stitched onto wire shaped
from an old coat hanger. My version doesn't look exactly like a real
one, but the long curved branch from my New England garden gives the
feeling of an endlessly long pole and the bag with wire lip to pull
at the mango stem. I can almost feel the thunk of a ripe mango dropping
into the bag.
Education: Stanford University, A.B. Drawing and Painting, 1978. Collections:
I.B.M. Corporation, NYC & Milford, CT; American International Group,
NYC; Citibank, NYC; Sun Chemical Corp., Fort Lee, NJ; Mony Financial
Services, Teaneck, NJ; TRW Inc., Lyndhurst, OH; Pittston Collection;
British Airways, Boston, MA; University of Vermont, Burlington, VT;
City & County of Honolulu; Honolulu Academy of Arts; The Queen's
Medical Ctr., Honolulu; Mr. & Mrs. Jack Canfield, Santa Barbara,
CA; Mr. John Young, Honolulu; Kahala Mandarin Oriental Hotel, Honolulu;
Halekoa Hotel, Honolulu; Sheraton Kaanapali Resort, Maui, HI; Bank of
Hawaii, Saipan; Toyota Corporation. Solo Exhibitions: Queen Emma Gallery,
Honolulu; Huron Gallery, Cambridge, MA; Habitat, Belmont, MA; Children's
Museum, Boston, MA; Art Loft Gallery, Honolulu. Selected Group Exhibitions:
New Art Center, Newton, MA; Clark Gallery, Lincoln, MA; Yamawaki Art
Center, Newton, MA; Museum of Fine Arts, Boston, MA; Cambridge Multicultural
Arts Center, Cambridge, MA; Jefferson Cutter House, Arlington, MA; Chinese
Cultural Institute, Boston; Mona Bismark Foundation, Paris; Wits End,
Dobbs Ferry, NY; Allegheny College, Meadville, PA,; Charles Cowles Annex,
NYC; Women's Studio Workshop, Rosendale, NY; Fervor Gallery, NYC; Queen
Emma Gallery, Honolulu; Smalley Gallery, NYC; Lincoln Center Cork Gallery,
NYC; Bronx Museum of the Arts, Bronx, NY; Amfac Gallery, Honolulu, Patterson
Sims, curator; Honolulu Academy of Arts, Honolulu, Wayne Thiebaud, curator.